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Thursday, May 8, 2025

Court Sides with MultiChoice in Price Hike Dispute, Dismisses FCCPC's Intervention as Overreach

In a significant legal win for MultiChoice Nigeria—the media giant behind DStv and GOtv—the Federal High Court in Abuja has dismissed a lawsuit brought by the company against the Federal Competition and Consumer Protection Commission (FCCPC) over regulatory interference in its recent subscription price increase.

Justice James Omotosho, who presided over the case, ruled that the suit constituted an abuse of court process, citing similar legal proceedings already underway in other jurisdictions. However, his judgment went further, offering clarity on the extent of the FCCPC’s regulatory powers and drawing a sharp line between oversight and overreach.

While affirming that the FCCPC has the statutory authority to investigate and monitor market practices under its establishing Act, Justice Omotosho noted that the commission has no constitutional power to fix, suspend, or dictate pricing structures unless expressly authorized by the President of Nigeria through a gazetted directive.

“The power to fix or control prices lies solely with the President, and it must be executed through a formal delegation of authority,” the judge declared. “Absent such a directive, any attempt by the FCCPC to impose pricing decisions is legally null and void.”

He emphasized Nigeria’s adherence to a free-market economy, where private service providers are at liberty to set their own pricing strategies, and consumers retain the right to accept or decline the offerings. The judge further ruled that the FCCPC's directive to halt MultiChoice’s planned price hike infringed upon the company's right to a fair hearing and smacked of discriminatory enforcement.

The court also dismissed the FCCPC's argument that MultiChoice operates as a market-dominant entity. Justice Omotosho countered that the use of Pay TV services in Nigeria is non-essential and optional, meaning consumers have a choice—and alternatives.

“No one is compelled to use MultiChoice services,” he remarked pointedly. “This isn’t an essential service. Nigeria will continue to function just fine without it.”

The judgment also raised a red flag regarding the broader implications of regulatory interference, warning that unchecked price control mandates could scare off foreign investors and stifle the competitive spirit of Nigeria’s digital and media economy.

MultiChoice had earlier raised its subscription rates by as much as 25% on March 1, 2025, attributing the increase to surging inflation, rising content acquisition costs, and mounting operational expenses. The FCCPC quickly opposed the move, calling for a review and threatening sanctions, which ultimately triggered the legal showdown.

Tuesday’s ruling not only clears the path for MultiChoice’s revised pricing to stand, but also serves as a landmark interpretation of regulatory boundaries in Nigeria’s consumer and competition law framework.

As Nigerians continue to debate the rising cost of digital services, this verdict sets a precedent likely to shape the dynamics between regulators and private sector players for years to come.



Senate President Akpabio Fails to Appear in Court Over N10 Billion Defamation Suit Filed by Senator Natasha Akpoti-Uduaghan

Senate President Godswill Akpabio was noticeably absent from the High Court of the Federal Capital Territory (FCT), Jabi, on Tuesday, as proceedings commenced in a N10 billion defamation lawsuit filed against him by Senator Natasha Akpoti-Uduaghan. The high-stakes case, which also lists Akpabio’s media aide, Patrick Mfon, as a co-defendant, is already drawing significant public attention due to its political weight and allegations of character assassination.

Presiding over the matter, Justice A. S. Kutigi noted that neither Akpabio nor any legal representative appeared on his behalf at the hearing. In contrast, Mfon, the third defendant in the suit (CV/754/25), was present through legal counsel. Lawyers for Senator Akpoti-Uduaghan—Victor Giwa and Ogbogbo Olisemekelim—revealed that efforts had been made to serve Akpabio through his aide, Dayo Fadugba, but were unsuccessful. Justice Kutigi firmly stated that civil procedure rules require personal service on the Senate President and subsequently ordered that the originating court processes be served to him directly, without intermediaries.

At the heart of the defamation suit are controversial posts made by Patrick Mfon on social media, in which he allegedly accused Akpoti-Uduaghan of dressing “inappropriately” within the Senate chamber and portrayed her as resentful over her removal as Chairperson of the Senate Committee on Local Content. Mfon further implied that she had no legislative value to offer—statements Akpoti-Uduaghan decried as baseless, defamatory, deeply sexist, and deliberately harmful to both her reputation and her office as an elected public servant.

The court emphasized the gravity of the case, with Justice Kutigi asserting that serious allegations—especially those targeting public officials—must be handled through the proper legal channels, regardless of political rank or public office. He stressed the need for accountability and fairness under the rule of law.

The proceedings have now been adjourned until June 9, 2025, to allow for a report on the service of court papers and further hearings. As the case unfolds, it is poised to test not only the boundaries of public discourse and political criticism but also the commitment of Nigeria’s legal system to uphold justice in high-profile political disputes.



Tacha Stirs Debate with Fiery Critique of Nigerian Celebrities’ Met Gala Looks — Faces Backlash Over Her Own Altered Appearance

Controversial reality TV star and influencer Natasha Akide, popularly known as Tacha, has once again found herself at the center of public discourse—this time, for her unapologetic commentary on the 2025 Met Gala fashion statements made by top Nigerian artists.

In a recently circulated video, Tacha didn’t mince words as she called out Burna Boy, Tems, and Ayra Starr for what she described as underwhelming red carpet appearances at the world-renowned fashion event. According to her, their ensembles fell short of expectations and failed to adequately showcase the vibrancy and elegance of Nigerian culture on such a global stage.

“Imagine the impact if someone like Veekee James had styled them,” Tacha remarked, referencing the acclaimed Nigerian designer known for her bold and culturally rich creations. “They could’ve stood out in a powerful way and represented us with more pride.”

While her comments sparked conversations around representation and the fashion industry's potential in Africa, they also ignited a wave of backlash—largely due to the perceived irony of her critique.

Eagle-eyed fans were quick to point out that Tacha herself appeared drastically different in the same video, fueling renewed conversations about her rumored cosmetic enhancements. Viewers noted apparent changes in her facial features, including noticeably fuller lips and a more sculpted appearance—leading many to question whether she was in a position to offer fashion or beauty critique.

Some social media users expressed concern over her evolving look, urging the influencer to embrace her natural beauty and focus on self-acceptance rather than altering her appearance to fit unrealistic ideals. Others defended her right to express her opinion, while still calling for more compassion and less judgment, especially in the often-critical world of celebrity culture.

“Criticizing others while you’re clearly struggling with your own image doesn’t send the right message,” one commenter noted. “We should be lifting each other up, not tearing each other down—especially when we’re all under the same microscope.”

Despite the backlash, Tacha has remained silent on the cosmetic surgery claims, letting her remarks stand unchallenged as the online debate continues to simmer.

As the dust settles, her comments have reignited broader discussions around self-image, body autonomy, cultural representation, and the delicate balance of critique in the public eye. Whether praised or condemned, Tacha has once again succeeded in capturing attention—proving that when she speaks, people listen.

Watch video below:





MC Oluomo’s Daughter Gets Engaged in Stunning Surprise Proposal at Her 30th Birthday Bash in Atlanta

Love was truly in the air at a glitzy celebration in Atlanta, Georgia, where the daughter of former NURTW chairman, Musiliu Akinsanya, popularly known as MC Oluomo, received the surprise of a lifetime. What started as a grand 30th birthday party quickly turned into an unforgettable romantic milestone, as her partner orchestrated a heartfelt proposal that has since taken social media by storm.

In a video that has gone viral on X (formerly known as Twitter), guests looked on in awe as her partner dropped to one knee in front of a beautifully decorated venue, catching her completely off guard. The birthday girl—visibly emotional—paced the floor in shock and delight, momentarily overwhelmed by the unexpected gesture. After composing herself, she joyfully accepted the proposal, sealing the moment with love and tears of happiness.

Not long after the celebration, the bride-to-be took to Snapchat to pen an emotional message to her fiancé, giving followers a glimpse into the deep affection they share.

“I love you, my babe. I love you beyond what words can describe,” she wrote. “I’m deeply thankful to Allah for blessing me with you. Since you came into my life, I’ve known nothing but happiness, peace, and genuine love. I used to believe relationships were difficult, but you’ve made it feel effortless, safe, and beautiful. Thank you for being you, and for loving me so sincerely.”

The couple’s tender exchange captured hearts across the internet, with fans flooding the comment sections with congratulatory messages, heart emojis, and words of admiration for the touching moment. Many praised the thoughtfulness of the proposal and the emotional sincerity it brought to the otherwise glamorous celebration.

Beyond the dazzling visuals and elegant setting, what truly resonated with viewers was the authenticity of their connection—a rare glimpse into love that feels grounded, intentional, and pure.

The newly engaged couple now steps into a new chapter, with well-wishers everywhere rooting for their journey together. For many, it wasn’t just a birthday—it was the beginning of a beautiful forever.



Ronke Oshodi-Oke Applauds Iyabo Ojo’s Maturity and Co-Parenting Grace at Daughter’s Wedding, Speaks on Tope Alabi Controversy

Veteran Nollywood actress Ronke Oshodi-Oke has openly commended her colleague Iyabo Ojo for displaying exceptional maturity and emotional intelligence by including her ex-husband in the wedding of their daughter, Priscilla Ojo. Her heartfelt remarks came during a candid interview with Oyin Momo TV, where she lauded Iyabo’s parenting style and her long-standing dedication as a mother.

According to Ronke, Iyabo Ojo's decision to prioritize unity and family harmony by inviting Priscilla’s father to the ceremony was not only commendable but also deeply instructive. She recalled fond memories of Iyabo during the early years of her motherhood, highlighting her as a hands-on parent who was always seen in the company of her children.

“I have to give Iyabo her flowers,” Ronke said earnestly. “Back then, when Priscilla and her brother were just kids, Iyabo was always on the move with them—school events, functions, outings—you name it. She was present every step of the way. She’s a committed and loving mother, and seeing her ex-husband at the wedding gave me a whole new level of respect for her. That kind of maturity isn't easy. In fact, I learned something powerful from her example.”

Ronke then turned her attention to the swirling public criticism surrounding gospel singer Tope Alabi, whose ex-husband’s absence at their daughter’s wedding recently sparked a flurry of reactions online. Cautioning against hasty judgments, Ronke urged Nigerians to consider the possibility that the decision might have come from the daughter herself, rather than solely blaming the mother.

“Let’s be careful not to throw stones at Tope Alabi without knowing the full story,” she advised. “Her daughter is 27 years old—she’s an adult. It’s very possible that she made her own decision about who she wanted at her wedding. If she truly wanted her father present, she could have insisted. We should remember that grown children have agency too.”

While she made it clear that she does not support the idea of alienating any parent from such a significant moment, Ronke emphasized the importance of context and understanding the nuanced dynamics of family relationships. In the case of Iyabo Ojo, she concluded, it was evident that Priscilla valued the presence of both parents, and her mother’s willingness to embrace that showed real strength and emotional maturity.

Ronke’s remarks have since resonated with many Nigerians, adding a thoughtful layer to the ongoing public discourse on co-parenting, forgiveness, and the often complex decisions behind family milestones. Her tribute to Iyabo Ojo serves not only as praise but also as a timely reminder of the power of empathy and wisdom in parenting—even after separation.

Watch video below:






VeryDarkMan Breaks Silence After EFCC Arrest, Reveals Reason Behind Detention

Popular social media commentator, VeryDarkMan, has finally spoken out following his unexpected arrest and detention by the Economic and Financial Crimes Commission (EFCC), shedding light on the real reason behind the controversial ordeal that stirred outrage across the country.

The outspoken online activist was taken into custody on Friday, May 2, shortly after visiting a GTBank branch in Abuja. News of his arrest quickly spread like wildfire, triggering a wave of condemnation from Nigerians on social media who decried the action as unjust and demanded his immediate release.

After several days in detention, he regained his freedom on Wednesday. His release was confirmed by prominent activist Omoyele Sowore and his legal representative, Deji Adeyanju.

In a candid video message that has since gone viral, VeryDarkMan addressed the circumstances of his arrest. According to him, the EFCC suspected him of being involved in money laundering activities — a charge he found both puzzling and ironic.

“They said I was laundering money,” he said with a mix of sarcasm and disbelief. “But how can you accuse someone who doesn’t even have money of laundering it? I’ve done a lot of charity work, and somehow that raised eyebrows. What they don’t realize is that I often go into debt just to help others.”

He went on to highlight the absurdity of the allegations, emphasizing that his philanthropic activities are fueled not by hidden wealth, but by sacrifice and commitment to social impact.

“Anyway, I’m out now — with my lawyer by my side, of course,” he added, hinting at the resilience that has made him a household name among his supporters.

VeryDarkMan’s experience has reignited conversations about the use of state power and the targeting of vocal critics, especially those who challenge the status quo through digital platforms. While he remains unshaken, many are calling for greater accountability and transparency in how anti-graft agencies operate.



Wednesday, May 7, 2025

Federal Government Presents Radio Biafra Broadcasts in Court to Bolster Terrorism Case Against Nnamdi Kanu

In a pivotal moment during the ongoing trial of Nnamdi Kanu, leader of the proscribed Indigenous People of Biafra (IPOB), the Federal Government on Wednesday played a series of audio and video recordings in open court to reinforce its terrorism allegations against him.

The materials, which were introduced as evidence through the second prosecution witness—identified only by the initials "BBB"—included controversial broadcasts allegedly made by Kanu on Radio Biafra. The proceedings took place before Justice James Omotosho at the Federal High Court in Abuja.

The witness, who testified behind a protective screen for security reasons, informed the court that Kanu had admitted to making the recordings. Lead prosecution counsel, Chief Adegboyega Awomolo (SAN), oversaw the presentation of the materials, which were officially marked as exhibits.

Among the evidence played in court was a broadcast recorded on October 20, 2020, during the height of the #EndSARS protests. In the aired clip, Kanu’s voice was heard urging Nigerian youth to confront security personnel across the country. He reportedly instructed his followers to ambush police officers and soldiers, seize their weapons, and inflict fatal harm.

The government argues that the content of the broadcasts reveals incitement to violence and supports the charge of terrorism levelled against the IPOB leader.

The dramatic courtroom revelation drew keen attention, with the prosecution asserting that the recordings speak directly to the threats posed by Kanu’s rhetoric and alleged actions.

The trial continues as the court weighs the admissibility and impact of the evidence on the broader charges.


Twist as EFCC Removes Mercy Chinwo’s Name from Amended Charges Against EeZeeTee

In a startling legal twist, the Economic and Financial Crimes Commission (EFCC) has withdrawn its earlier allegations of financial misappropriation against renowned gospel music executive, Ezekiel Onyedikachi, popularly known as "EeZeeTee", and has instead filed new charges centered on financial disclosure violations and unauthorized foreign exchange dealings.

EeZeeTee, the founder and CEO of "EeZee Global Concept Ltd", a powerhouse in the Nigerian gospel music scene and home to celebrated singer Mercy Chinwo, was initially accused of fraudulently diverting the singer’s earnings. However, at a Federal High Court in Lagos on Wednesday, the EFCC submitted an amended eight-count charge that marked a sharp pivot in the case’s direction.

Rather than pursuing the headline-grabbing claims of embezzlement, the EFCC now alleges that EeZeeTee violated regulatory protocols, including failing to disclose financial transactions and conducting unauthorized foreign exchange operations between 2022 and 2023.

According to the revised charge sheet, EeZee Global Concept Ltd received a total of $255,436 in its corporate account during the period under scrutiny. The EFCC claims the company failed to report these transactions to the "Special Control Unit Against Money Laundering (SCUML)", as mandated by Nigerian financial regulations.

One of the specific charges reads:

“That you, Ezekiel Onyedikachi and EeZee Global Concept Ltd, sometime in June 2023 in Lagos, within the jurisdiction of this Honourable Court, not being an authorized buyer of foreign currency appointed by the Central Bank of Nigeria under Section 5(1) of the Foreign Exchange Monitoring and Miscellaneous Provisions Act, CAP F34 LFN 2004, negotiated a foreign exchange transaction to wit: the naira equivalent of the sum of $52,895 with Mr. Oladotun Olaobaju Mureke.”

Another count accuses the music executive of unlawfully negotiating a separate transaction worth $18,775 with a third party identified as "Gift Ugochi Christopher", without going through the official foreign exchange market.

During Wednesday’s court proceedings, EeZeeTee pleaded not guilty to all charges. His lead counsel, Chief Chikaosolu Ojukwu (SAN), confirmed that a bail application had already been filed and duly served on the EFCC. He appealed to the court to consider bail under liberal terms, adding that both parties are actively exploring an out-of-court settlement.

The case has sent ripples through the gospel music community, given EeZeeTee’s significant influence in shaping the careers of some of Nigeria’s most beloved gospel stars. Many industry observers are now watching closely, as the focus shifts from personal misconduct allegations to corporate compliance and financial transparency.

As the legal drama unfolds, it remains to be seen how this high-profile case will impact not just EeZeeTee’s reputation, but also broader conversations around financial governance in Nigeria’s entertainment sector.



Ayra Starr Shatters Records as “Rush” Goes Platinum in the UK—Becomes First Nigerian Female Artist to Achieve the Milestone

Afrobeats sensation Ayra Starr has once again etched her name into the annals of global music history, as her chart-topping single “Rush” has officially been certified Platinum in the United Kingdom, a milestone that crowns her as the first Nigerian female artist to achieve such a feat.

The prestigious certification, awarded by the British Phonographic Industry (BPI), recognizes over 600,000 units in combined sales and streams—a testament to the song’s enduring appeal and Ayra’s magnetic artistry.

“Rush,” which dropped in September 2022, quickly exploded into a viral phenomenon, not just across Africa but on the global stage. The song became Ayra Starr’s first entry into the UK Official Top 100 Chart, solidifying her reputation as a force to be reckoned with in the international music arena.

The star’s momentum hasn’t slowed down since. In 2023, “Rush” also earned a Diamond Certification in France, a rare accolade for any African artist, male or female. With these back-to-back wins, Ayra has now joined the elite ranks of global Afrobeats ambassadors, pushing boundaries for African music and setting new standards for female representation in the genre.

Beyond the UK and France, “Rush” has resonated deeply across continents, climbing into the top ten charts in countries like South Africa, Lebanon, and beyond, becoming an anthem for youth empowerment, self-confidence, and resilience.

Reacting to the news, fans and industry insiders alike have flooded social media with praise, calling Ayra Starr’s journey “inspirational,” especially for young female artists striving to break through a traditionally male-dominated space.

Signed to Mavin Records, Ayra Starr, born Oyinkansola Sarah Aderibigbe, has continued to rise steadily since her breakout in 2021 with “Bloody Samaritan.” Now, with global hits under her belt, a Grammy nomination, and historical certifications, she’s no longer just a rising star—she’s a blazing comet lighting the way for the next generation of African talent.



AY Breaks Silence on EFCC Invitation Over Naira Abuse, Calls for Respect for National Currency

Popular Nigerian comedian and actor, Ayo Makun, widely known as "AY", has opened up about his recent encounter with the Economic and Financial Crimes Commission (EFCC) following an invitation regarding the public spraying of cash—a cultural tradition now being scrutinized under Nigerian financial law.

Taking to Instagram on Wednesday, AY revealed that he honoured the EFCC’s invitation on May 5, 2025, where he was interrogated over an incident involving the spraying of both Naira and foreign currencies at a high-profile social gathering. This act, though widely seen as celebratory in Nigerian culture, violates Section 21 of the Central Bank of Nigeria (CBN) Act, 2007, which classifies such public handling of the currency as abuse or mutilation.

In his detailed post, AY expressed gratitude to the EFCC for their professionalism, noting that after a thorough review, the Commission confirmed that the money involved was not connected to any criminal or illicit activities. As a result, he was granted a pardon, but the incident has left a lasting impression on the entertainer.

“I am thankful to God for His mercy and for the EFCC’s fair handling of the situation. While I may have thought the spraying of money was simply a part of celebration, I have now come to understand that it contravenes Nigerian financial laws, regardless of intent,” AY wrote.

The comedian acknowledged that money spraying remains a popular feature at weddings, birthdays, and other festive events, but stressed the need for Nigerians to rethink the practice in light of legal implications. He described the experience as “a valuable wake-up call” and pledged to use his platform to promote awareness about protecting the integrity of the national currency.

“Many of us see money spraying as a harmless way to show love or celebrate with friends and family. But the law doesn’t see it that way. It’s important we educate ourselves and others to avoid falling foul of the law.”

He also called on event organizers, public figures, and influencers to lead by example, encouraging lawful alternatives to uphold Nigerian cultural expression without violating monetary regulations.

With this personal experience, AY joins the growing list of Nigerian celebrities who have been questioned by the EFCC over currency abuse. His candid reflection on the matter has resonated with many fans, sparking conversations about the intersection of culture, law, and social responsibility.